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YOU'VE STATED THAT THE SINGLE BEST PIECE OF WRITING ADVICEYOU'VE EVER GOTTEN WAS TO WRITE EVERY DAY--AND THAT THIS ADVICECAME TO YOU FROM WRITER HARRY CREWS DURING A LECTURE AT THEUNIVERSITY OF FLORIDA. YOU SAID THAT THIS IS ADVICE THAT YOUSTILL LIVE BY. HOWEVER, DO YOU EVER HAVE DAYS WHEN YOU SIT DOWNTO WRITE AND THE STORY WON'T COME TO YOU? OR DAYS WHEN YOU JUSTDON'T FEEL LIKE WRITING? IF SO, HOW OFTEN, AND HOW DO YOU DEALWITH THESE TIMES?
PLEASE DESCRIBE YOUR WRITING ENVIRONMENT.
YOUR NEW HARRY BOSCH BOOK, "THE CLOSERS," WILL HIT BOOKSTORES INMAY, 2005. IN THIS BOOK, BOSCH IS ASSIGNED TO THE LAPD'SOPEN-UNSOLVED TEAM AND IS TASKED TO INVESTIGATE A 1988 MURDERCASE OF A SIXTEEN-YEAR-OLD GIRL. WHAT INSPIRED YOU TO WRITE THISBOOK, AND HOW LONG DID IT TAKE YOU TO WRITE IT?
Read more about Michael Connelly and his work atwww.MichaelConnelly.com.
DID YOU EXPERIENCE MUCH REJECTION FROM AGENTS AND PUBLISHERSBEFORE YOUR FIRST BOOK, "THE BLACK ECHO" (LITTLE BROWN & CO.,1992) WAS PUBLISHED? PLEASE DESCRIBE YOUR EXPERIENCE.
The only constant is change. I figured it was time to shakethings up in a big way and that's what I did. It wasn't withouta lot of thought and trepidation. I knew it would require adifferent way of writing but I thought after 11 books I wasready for it. It worked out pretty well in my opinion. I feltthat some things [link widoczny dla zalogowanych] were brand new about the process. It took theroutine out of it.
YOU SAID THAT DURING YOUR YEARS OF BEING A JOURNALIST, YOU KNEWDETECTIVES WHO COULDN'T PUT THE JOB AWAY WHEN THEY WENT HOME. ASA NOVELIST TODAY, CAN YOU SAY THAT YOU, IN FACT, CAN? OR DO YOURSTORIES OFTENTIMES AWAKEN INSIDE YOUR MIND WHEN YOU'RE BUSYDOING OTHER THINGS?
IN THE ESSAY, "CHARACTERIZATION," THAT YOU WROTE FOR "WRITINGMYSTERIES: A HANDBOOK BY THE MYSTERY WRITERS OF AMERICA"(WRITER'S DIGEST BOOKS, 2002), YOU SAID THAT A GOOD PLOT ISEMPTY UNLESS FILLED WITH THE BLOOD OF CHARACTER. WHY, IN YOUROPINION, IS STRONG CHARACTERIZATION SUCH A CRITICAL PART OF AGOOD STORY?
I like what Kurt Vonnegut Jr. said about the best advice hecould give a writer. He said something along the lines of; "Makesure that on every page everybody wants something, even if it isonly a glass of water." I think what he was saying is that it'sall about character and character is delineated by wants andneeds and how they are filled or lived with unfulfilled.
It took about a year [link widoczny dla zalogowanych] to write it but I am a binge writer,meaning I start slow and gather speed. So it took a year butmore than half the book was written in the last three months. Iam always inspired by other writers and I think some of the mostimportant crime novels in recent years involved going back tosolve old cases as a means of showing a cross section of societyand the changes of that society. I wanted to try to do that andso I wrote about an old murder and used the presentinvestigation to capture a picture of what a crime like murdercan do to a family, a place, even a killer, over time.Additionally, I had an in. I was close to a few detectives whowork open-unsolved cases with the LAPD and they were willing tohelp me try to get their world right in my novel.
It was sort of a natural progression. I just sort ofinstinctively knew it was time to try it. It was still anotherfour years before I sent anything out into the world and anothertwo before anything was published, but I just hit thispoint--maybe it was turning 30--where I told myself if I didn'ttry soon I never would. I also think that by that point I hadaccumulated enough images and experiences as a person and as [a]cop reporter that I was thinking I had the ingredients and itwas time to try to make a cake. Lastly, [link widoczny dla zalogowanych] the summer I turned 30was the same summer I spent a lot of time with a homicide squad.I had full access on three separate investigations. I knew Iwould never get a better look at that world than that, so theonly thing left to do was write about it in fiction.
As a teenager I went to four schools in four years and that sortof gave me outsider status. I think it made me more of anobserver than someone who is in the middle of things. This is agood attribute to have as a writer. At the time I didn't knowthat. I didn't think that I should become a writer. Thatdecision came later and it is only after many years [that I] canlook back and see how my writing skills may have been honed backthen without me realizing it.
BESIDES WRITING EVERY DAY, WHAT OTHER ADVICE WOULD YOU LIKE TOGIVE ASPIRING NOVELISTS?
I READ THAT YOU LIVED IN L.A. WHILE WRITING YOUR FIRST ELEVENNOVELS, AND THAT YOUR PROCESS WAS TO HANG OUT, OBSERVE,RESEARCH, THEN GO BACK TO YOUR OFFICE AND WRITE THOSE SCENESTHAT WOULD INCORPORATE THE THINGS YOU SAW. BUT NOW THAT YOU'REBACK IN FLORIDA AND STILL WRITE ABOUT L.A., YOU'RE REQUIRED TOWRITE FROM MEMORY. WAS THIS CHANGE IN PROCESS DIFFICULT FOR YOU?
IN THIS BOOK, BOSCH ABANDONS HIS LIFE AS A PRIVATE INVESTIGATORTO REJOIN THE LAPD. WOULD IT GIVE ANYTHING AWAY TO ASK WHATMOTIVATED HIM TO MAKE THIS CHANGE?
Technically, I didn't get a lot of rejection. While I sent out ablanket letter to more than a dozen agents, I ended up gettingthe first agent on my list. It just took him a while to respondand in the meantime I was rejected by [link widoczny dla zalogowanych] a half dozen or so agentswho were further down my list. My agent then sold my book to thethird publisher he gave it to. This sounds like it was all veryquick and easy. Only at the end. As I said before, it was atleast 6 years from the point I decided to try to write [link widoczny dla zalogowanych] a novelto the point that my agent called and said he had sold The BlackEcho.
I've been doing this for a long time [link widoczny dla zalogowanych] now and it is hard to writeevery day. In the beginning I did--365 days a year. Now what Itry to do, and most times accomplish, is to write every day onceI begin a draft. So I have periods where I am not writing. Theseare usually between drafts and between books. The greatermessage he [Crews] was sending was, I think, that you need toalways be thinking about your story. The best way to do that isto write every day. I believe that I am always thinking about mystory, but I don't need to write every single day of my life tokeep it churning in my mind.
Bestselling author of several mystery/thriller novels, including"Blood Work," "City of Bones," and "The Narrows," MichaelConnelly has enthralled millions of readers for over a decade.
I like changing things so my writing environment changes fromyear to year, book to book. At the moment I write in awindowless room without a desk. I sit on a couch and write on alaptop. Last year, I had a room with a nice water view and adesk that weighed a ton. I had two big Apple screens on my deskand could [link widoczny dla zalogowanych] spread four pages across them. Usually when I start anew project I shake things up in some way. Sometimes it's justchanging computers but sometimes it is completely changing theenvironment. For me change is good. The only constant is change.
Originally a journalist for several Florida markets, Connellywas one of three reporters short-listed for the Pulitzer [link widoczny dla zalogowanych] Prizefor feature writing in 1986 after covering a major airlinecrash. Soon thereafter, he packed up and moved to L.A. to workas a crime reporter for the "Los Angeles Times." After threeyears of working the crime beat for the Times, Connelly beganwriting his first L.A.-based crime novel, "The Black Echo,"which won the Edgar Award for best first novel, and introducedthe world to his internationally-adored protagonist, LAPDdetective Harry Bosch.
I think you have to experience the world to write about it.That's not to say you must write what you know--I don't believein rules like that. I am just talking about experiencing theworld. Living in order to write about living. Your mind shouldbe a blender. Everything you do, see [link widoczny dla zalogowanych] and experience gets thrownin. Throw in what you learn and what you hear. Throw in what youread in good books and see in movie theaters. Throw in what yousee on your travels. Throw in the good and bad things in theworld. When the time is right you flick on the blender, mixeverything together and hopefully pour out a smoothie that isall yours.
DO YOU HAVE A FAVORITE QUOTE?
In this interview, Connelly discusses his approach to writing,his latest Harry Bosch novel, how being an outsider as a teenaffected his writing, and why he waited thirty years to beginwriting fiction.
I really don't want them to go away. I think the key thing towriting is to keep it churning in your mind. This to me is moreimportant than actually sitting down at the computer. It's theinterior activity. So [link widoczny dla zalogowanych] when I do get away from my writing I startto get uncomfortable. I don't like going on vacations withouttaking my work with me.
There are two answers; Harry Bosch's motivation and mymotivation. Harry had been off the job for a couple years andrealized he had made a mistake. He believes he has a mission inlife and he realized that losing the badge--despite all thebureaucracy and politics that comes with it--inhibited hisability to follow his mission. So he went back. In regard to me,I found that I was going to be unable to sustain the series withHarry working as a private eye. While the classic novels thatinfluenced me the most were private eye novels, I realized afterwriting two of them that I would be unable to sustain therealism I want to have in my books. Maybe it has something to dowith coming to this from journalism, but the reality is privateeyes don't solve that many murders. So I knew that if I keptHarry as a private eye it would begin to undercut thebelievability of the character and series if he was solvingmurders right and left. So I decided to give him back his badge.
YOU DIDN'T START WRITING FICTION UNTIL YOU WERE [link widoczny dla zalogowanych] THIRTY YEARSOLD. INSTEAD, YOU WORKED AS A JOURNALIST COVERING POLICE BEATSAND THE COURTS--AND USED THIS EXPERIENCE AS RESEARCH, KNOWINGTHAT ONE DAY YOU WOULD BE READY TO WRITE FICTION. HOW DID YOUDECIDE IT WAS FINALLY TIME?
I think it probably comes out of my instincts and interests as areader. As a reader I like to delve deep down into people andsee how they react in different situations. I have found that Iam the same way as a writer. I am more interested in interiorrather than exterior circumstances. I think it plugs the readerinto the world a lot better than plot aspects do. Of course,this is not to say plot is not important. You run the risk ofslighting one thing when you talk at length about another. Plotand character [link widoczny dla zalogowanych] are both two big plates that you have to keepspinning through a book. It's not much of an act if only oneplate is spinning.
I READ IN A PAST INTERVIEW THAT YOU WERE A BIT OF AN OUTSIDER ASA KID. DO YOU FEEL THAT THE EMOTIONS YOU EXPERIENCED AS A RESULTOF BEING AN OUTSIDER HELPED CULTIVATE YOUR INTEREST IN BECOMINGA WRITER?
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